|Posted by firstname.lastname@example.org on July 8, 2017 at 4:10 PM|
“I have made no deceptions. I have told no lies. What my heart hated I did not do. I am One with the invisible God that created me. I will live for millions of years in this truth.” ~ Pharaoh Akhenaten 1367 B.C.E.
The Law of One elegantly, but simply, states that there is only unity. This unity, however, has both a potential and a kinetic which yields intelligent energy that Akhenaten worshipped as love/light emanating from its source, the Infinite Creator. The One, then, to Akhenaten was symbolized as a dot at the center of the circle of Creation. The mathematically perfect circle surrounding a single dot at its center symbolized the outward flow of love/light to all of Creation from its divine source.
However, by the time of Akhenaten, the golden age of Zep Tepi had long been forgotten. Human personalities were given to the Law of One in a futile attempt to comprehend the incomprehensible. Akhenaten would not accept that the universe was created, maintained and transformed by an array of anthropomorphic half man/half god religious deities. The theology of Akhenaten’s new spirituality was breathtakingly simple: the One was Infinite Mind or Spirit; therefore, the language of the One must be mental or spiritual and the divine essence of mind-body-spirit complexes was also spiritual, imperishable, infinite, and constant. As Pharaoh of Egypt, Akhenaten always signed his name followed by the phrase Ankh en Maat, which translates as “he who lives in truth” or “living in truth.” The root word of “maat” is “maa” meaning “to observe” or “to examine,” therefore, “maat” can be translated as “that which has been perceived or examined.” Obviously, Akhenaten coined the phrase “ankh en maat” to inspire us to live a “thoroughly examined” life ever conscious of our Oneness and to resist the illusion of the separate Self.
He knew that sunlight is the source of all life upon earth. This was not worship of the physical sun but worship of one Infinite Intelligence, a supreme deity, whose spirit was in Heaven and whose physical manifestation was the sun – the symbol of life. It changed the worship of the sun as a god to the worship of God symbolized by the sun. Paintings and carvings of Aton were always accompanied with a sort of hieroglyphic footnote, stating that it was just a representation of the all-encompassing Creator. The following quote from a decree made by Akhenaton upon the founding of Anketaton, indicates that morning sun gazing was a part of Atonism.
“Every eye beholds him without hindrance while he fills the land with his rays and makes everyone to live. With seeing whom my eyes are satisfied daily when he rises in this temple and fills it with his own self by means of his rays, beauteous with love, and embraces me with them in life and power forever and ever.”
Akhenaton and his followers also sun gazed to receive divine direction. Besides sun gazing, sunbathing was also done as evidenced by the semi-nudity shown in many of the paintings of Akhenaton and his family. Also he designed and had constructed the Maru-Aton, or ‘viewing temple’ outside of Akhetaton, which contained gardens, pools and sunshades, or solar altars. The sunshades were roofless tanning booths made of alabaster, sandstones, and granites inlaid with colored stones and colored glass beads. According to Egyptologist Cyril Aldred, they were used for “the daily rejuvenation of the body by means of the sun’s rays.” A person would lie on the stone altar in the sunshade and receive the rejuvenating rays of the sun, either directly, or indirectly, I assume, through the crystalline matrix of the stones composing it.
The "House of Israel" and the "House of Judah" were both punished for the same reason; that is that they broke The Covenant and allowed their rulers to make up their own poverty-creating selfish laws; economic policies and taxes in contravention of God’s Commandments and prophetical-warnings to His People. The phallic Baal-pillar stone that is now wrongfully and blasphemously called the Lia Fail, was re-discovered and placed on The Inauguration Mound at Tara some time between 1839 and 1845. As the real Lia Fail is also known as Bethel, meaning ‘House of God’ in Hebrew and it is prophesied that Christ will come and be Inaugurated King of the Israelites, including the Irish, upon the Lia Fail Stone at Tara, there could be no greater insult to God or Christ than to name a stone phallus The Lia Fail. That is telling God that His House, where He should come and live, is a stone phallus and that Christ should come and sit on a stone penis. The wrongful naming of the obscene phallic stone at Tara caused God’s Cursing of Ireland which brought about the Great Famine of 1845-52 and it is still the "Curse of Tara" and Ireland. Teia Tephi then began instituting The Torah, or God’s Laws to Ireland. The Torah is perfectly fair and un-biased, uniting everyone, with no rich or poor, all under one system. Under The Torah, nobody can oppress anyone else by inflicting their own selfish opinion or laws and taxes on them, so nobody can put themselves over others (all men were created equal in the eyes of God). This is the same as the Brehon law the principle of maat and the 7 universal principals. As Ireland, up to that point, had been divided into many individual small kingdoms, each with its own king or warlord who had made up their own laws to make themselves rich, many of these kings and warlords didn’t like The Torah, because under God’s Laws they would have to redistribute the wealth that they had unfairly taken from the people. Then they would become their peoples’ equals, or servants as a true king should be (Deut. 17:14-20), rather than falsely placing themselves above their people making the people slaves to them.
The covenant was to uphold the principal of Maat, the Brehon laws, universal principals and equality for all. Staying in harmony with the universal creative mind spirit source energy. The universal connection was broken.
The Aten, the sun-disk, is first referred to as a deity in The Story of Sinuhe from the 12th dynasty, in which the deceased king is described as rising as god to the heavens and uniting with the sun-disk, the divine body merging with its maker. By analogy, the term "silver aten" was sometimes used to refer to the moon. The solar Aten was extensively worshipped as a god in the reign of Amenhotep III, when it was depicted as a falcon-headed man much like Ra. In the reign of Amenhotep III's successor, Amenhotep IV, the Aten became the central god of Egyptian state religion, and Amenhotep IV changed his name to Akhenaten to reflect his close link with the new supreme deity. The full title of Akhenaten's god was "Ra-Horakhty who rejoices in the horizon, in his Name as the Light which is in the sun disc." (This is the title of the god as it appears on the numerous stelae which were placed to mark the boundaries of Akhenaten's new capital at Akhetaten, modern Amarna.) This lengthy name was often shortened to Ra-Horus-Aten or just Aten in many texts, but the god of Akhenaten raised to supremacy is considered a synthesis of very ancient gods viewed in a new and different way. The god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god. In particular, the god was not depicted in anthropomorphic (human) form, but as rays of light extending from the sun's disk
The cult centre of Aten was at the new city Akhetaten; some other cult cities include Thebes and Heliopolis. The principles of Aten's cult were recorded on the rock walls of tombs of Tall al-Amarnah. Significantly different from other ancient Egyptian temples, temples of Aten were colorful and open-roofed to allow the rays of the sun. Doorways had broken lintels and raised thresholds. No statues of Aten were allowed; those were seen as idolatry. Priests had less to do, since offerings (fruits, flowers, cakes) were limited, and oracles were not needed. Temples of Aten did not collect tax. In the worship of Aten, the daily service of purification, anointment and clothing of the divine image was not performed. Incense was burnt several times a day. Hymns sung to Aten were accompanied by harp music. Aten's ceremonies in Akhetaten involved giving offerings to Aten with a swipe of the royal scepter. Instead of barque processions, the royal family rode on a chariot on festival days. The full title of Akhenaten's god was "Ra-Horakhty who rejoices in the horizon, in his Name as the Light which is in the sun disc." (This is the title of the god as it appears on the numerous stelae which were placed to mark the boundaries of Akhenaten's new capital at Akhetaten, modern Amarna.) This lengthy name was often shortened to Ra-Horus-Aten or just Aten in many texts, but the god of Akhenaten raised to supremacy is considered a synthesis of very ancient gods viewed in a new and different way. The god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god. In particular, the god was not depicted in anthropomorphic (human) form, but as rays of light extending from the sun's disk. High relief and low relief illustrations of the Aten show it with a curved surface (see for example the photograph illustrating this article), therefore, the late scholar Hugh Nibley insisted that a more correct translation would be globe, orb or sphere, rather than disk. The three-dimensional spherical shape of the Aten is even more evident when such reliefs are viewed in person, rather than merely in photographs. There is a possibility that Aten's three-dimensional spherical shape depicts an eye of Horus/Ra. In the other early monotheistic religion Zoroastrianism the sun is called Ahura Mazda's eye. These two theories are compatible with each other, since an eye is an orb.
Ra was merged with the god Horus, as Ra-Horakhty ("Ra, who is Horus of the Two Horizons"). He was believed to rule in all parts of the created world: the sky, the earth, and the underworld. He was associated with the falcon or hawk. When in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favour of another solar deity, the Aten, the deified solar disc, but after the death of Akhenaten the cult of Ra was restored. The cult of the Mnevis bull, an embodiment of Ra, had its centre in Heliopolis and there was a formal burial ground for the sacrificed bulls north of the city. All forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively humans were created from Ra's tears and sweat, hence the Egyptians call themselves the "Cattle of Ra." In the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye. In later Egyptian mythology, Ra-Horakhty was more of a title or manifestation than a composite deity. It translates as "Ra (who is) Horus of the Horizons". It was intended to link Horakhty (as a sunrise-oriented aspect of Horus) to Ra. It has been suggested that Ra-Horakhty simply refers to the sun's journey from horizon to horizon as Ra, or that it means to show Ra as a symbolic deity of hope and rebirth. https//:en.wikipedia.org/wiki/Ra#Relationship_to_other_gods
The sun god is also known as Ra-Horakhty (the "Horus of the Horizon") and Atum (the "All"), the substance from which all creation unfurled. Re-Horakhty is identified as a god with a human body and falcon head who wears a crown in the form of a sun disc surrounded by a cobra, or a crown made from ram horns and ostrich feathers. Atum is depicted as King of Egypt and Lord of the Universe and wears the Double Crown of Egypt. All these forms of the sun god represent the promise of resurrection, an answer to the dilemma of human mortality. The sun god was considered the central and original power of creation. The daily rising and setting sun offered tangible evidence of the sun's power to fall into the western sky and be reborn each morning in the eastern sky. Re brought the concept of Maat -- the principle of truth (Right) and balanced justice -- to the Egyptians. This fundamental concept became the cornerstone of the Egyptian civilization. The cosmic journey of the sun, symbolized by the scarab (dung beetle that pushes the sun disc across the sky), would continue as long as the cult of the sun god and Maat were respected. In the beginning stages of the deities, the kingship of Re was transferred to other forms of the sun god - to Shu, then Geb and, finally, Osiris. The cult of the sun was maintained by the Egyptian kings over the centuries. They built pyramids (symbols of the stairway to the sun or the angled rays of the sun) and later solar temples in honour of the sun gods. When a king died, his actions were judged in the afterworld by Osiris, a form of the sun god and ruler of the underworld. If they were considered just, the king was transformed into a form of the sun god. The Great Sphinx at Giza, near Cairo, is probably the most famous sculpture in the world. With a lion's body and a human head, it represents Ra-Horakhty, a form of the powerful sun god, and is the incarnation of royal power and the protector of the temple doors. Between the enormous paws is a stele that records a dream Tuthmosis IV (father amonhotep lll and grandfather akhenaten) had when he was a prince. He dreamt that he stopped to rest in the shadow of the Sphinx during a hunting expedition in the desert
Tuthmosis IV's name means, "Born of the God Thoth". His throne name was Men-kheperu-re, meaning "Everlasting are the Manifestations of Re" Little military action appears to have occurred during his reign, although our knowledge may be marred by the lack of texts. We do know that there was a Nubian campaign in Year 8 of his rule, and that apparently there were also campaigns in Syria (eire). However, even though the king is referred to twice as the "conqueror of Syria", these may have actually been little more than policing actions, rather than full scale battles. Little is also known of his building work. Tuthmosis IV did finish a giant obelisk that was originally quarried at Aswan under Tuthmosis III, his grandfather. At 32 meters (105 feet) it was the tallest Egyptian obelisk that we know of, and was uniquely intended to stand as a single obelisk at the Temple of Karnak. Most of the obelisks were usually erected in pairs. However, Tuthmosis III originally intended for there to be a pair of these Obelisks. Its counterpart developed a fault during the quarry process, and remains today joined to the bed-rock at Aswan. Today, the finished obelisk stands outside St. John Leteran in Rome, rather than in Egypt.
The Principle of Ma'at
The sun-god Ra came from the primaeval mound of creation only after he set his daughter Maat in place of Isfet (chaos). Kings inherited the duty to ensure Maat remained in place and they with Ra are said to "live on Maat", with Akhenaten (r. 1372-1355 BCE) in particular emphasising the concept to a degree that, John D. Ray asserts, the kings contemporaries viewed as intolerance and fanaticism. Some kings incorporated Maat into their names, being referred to as Lords of Maat, or Meri-Maat (Beloved of Maat). Maat had an invaluable role in the ceremony of the Weighing of the Heart. The earliest evidence for a dedicated temple is in the New Kingdom (c. 1569 to 1081 BCE) era, despite the great importance placed on Maat. Amenhotep III commissioned a temple in the Karnak complex, whilst textual evidence indicates that other temples of Maat were located in Memphis and at Deir el-Medina.
Women in Armana
The royal women of Amarna have more surviving text about them than any other women from ancient Egypt. It is clear that they played a large role in royal and religious functions. These women were frequently portrayed as being very powerful. Many of the king's daughters (Amenhotep) had influences as great if not greater than his wives'. Aten was not solely worshipped (the religion was not monotheistic), but the other gods were worshipped to a significantly lesser degree
A picture of exceptional intimacy emerges from the sculptures and reliefs of the Amarna Period. Akhenaten, his wife Nefertiti, and their six daughters are seen in emotional interdependence even as they participate in cult rituals. The female principle is emphasized in astonishing images: the aging Queen Mother Tiye, the mysterious Kiya, and Nefertiti, whose painted limestone bust in Berlin is the best-known work from ancient Egypt—perhaps from all antiquity.
The Religious Revolt of the Poet King
Akhenaten (Akhenaton) (ruled circa 1352-1336 BCE) appears to have resolved, while yet a boy, to fight against "the selfish and the strong", whom he identified particularly with the priests of Amon, for these were prone to tyrany. The Egyptian prince began to embrace and develop the theological beliefs of the obscure Aten solar cult, and set forth to convince an unheeding world. As it happened, Akhenaten ascended the throne with the noble desire to make all men "wise, and just, and free, and mild" Akhenaten decided to leave Thebes, and at el-Amarna, about 250 miles north, he caused to be laid out a "garden city", in which were built a gorgeous palace which surpassed that of his father, and a great temple dedicated to "the one and only god" Aten. In the stately temple at Akhetaten, made beautiful by sculptor and painter, and strewn daily with bright and perfumed flowers, Akhenaten continued to adore Aten with all the abandon and sustaining faith of a cloistered medieval monk.
"Thou hast made me wise in thy designs and by thy might" (geometry)
"The world is in thy hand."
(Akhenaten shows Aten hands with Ankh, Key to the Tree)
Akhenaten believed it sinful to take away the life which Aten gave. No sacrifices were offered up in his temple; the fruits of the earth were laid on the altars. Akhenaten promoted the idea of universal brotherhood, and conceived of a beautiful world pervaded by universal peace. Although Aten was a sun god, he was not the material sun - he was the First Cause manifested by the sun, "from which all things came, and from which ever issued forth the life-giving and life-sustaining influence symbolized by rays ending in hands that support and nourish human beings". Heliopolis, the center of sun worship in Egypt since pre-dynastic times, was home to an Aten cult that taught that the creator Ra was "Shu in his Aten". Aten is the solar disk and Shu is the air god, the source of "the air of life". Shu is also associated with the sun; as the atmospheric god, Shu is manifested by lightning and fire as well as by tempest. Shu is thus not only "air which is in the sun", but also, according to Akhenaton's religion, "heat which is in Aten". The development of Aten religion may have been advanced by Yuaa, Queen Tiy's father (Akhenaten's grandfather), during the reign of Amenhotep III, when it appears to have been introduced in Thebian Court circles, but it reached its ultimate splendour as a result of the philosophical teachings of the young genius Akhenaten.
|Posted by email@example.com on June 18, 2017 at 12:25 AM|
"The tradition of the ancient world is called The Masters of the Net, an illustration from the temple walls at Karnak, showing Thoth, the Ibis headed God, who stands behind the Egyptian high culture, stretching a cord, to give the extent of spirit moving in to physical space. While the Masters of the Net was one expression of the type of initiation that took place in great spiritual systems, to teach initiates how spiritual forces can be brought in to manifestation in the physical world, this net that is being described is the same thing that we find in modern physics as The Net of Space Time. If you look at Egyptian temple walls, you will find illustrations such as this. The hieroglyphs that accompany it will say things like" these initiates are being taught how to catch and cast magic".
Essentially the nets that they are holding is a representation for this background matrix of energy that allows spirit to manifest all the forms in the physical world. These initiates were learning the depths of how these etheric or energetic templates are laid down in physical space that allows all energy and all consciousness, all life, to manifest in our world. Again, if you study the Egyptian temple walls, you will find indications of a highly advanced form of spiritual training and spiritual science."
The temple of Karnak describes the process of the creation of the manifest universe, the descent of spirit into matter using the Golden Blueprint of Creation. Amon the "Hidden One" in the mound of creation. Almost every king had a hand in the construction of Karnak temple as it was continually being developed as a sacred site, a temple dedicated to creation which was itself being continually created as it grew over vast periods of time.
|Posted by firstname.lastname@example.org on June 17, 2017 at 5:20 PM|
The greatest of all the Mystery Schools was in Egypt at Giza, it was here that they taught the mystery of the immortality of the soul. It is evident that the knowledge possessed during the times the Pyramids are said to have been built included a complete grasp of astronomy, solar systems, planetary bodies, distances, the procession of the equinoxes and the fixed star groupings, sacred geometry, advanced mathematics, physics, geography. Unofficially, Thoth built the Great Pyramid and encoded into it energetic and sacred geometrical templates for planetary consciousness evolution. It is said that Thoth built the pyramids using his sacred knowledge of atomic structures and sound frequencies. The great pyramid later served as initiation chambers for those who completed their Mystery School training. The Great Pyramid was considered the œnavel of the Earth, marking the centre of the 0 degree meridian line that indicated the longest stretches of land running in both a north-south direction and an east-west direction on the entire globe. In other words the great pyramid sits at the very center of the Earth's landmass and in the system of the chakras of the Nile it represents the fully opened Third Eye.
The great pyramid was also a symbolic representation of the human skull in that its so called kings and queens chambers represents the pineal and pituitary glands of the human brain. The great pyramid is the foundation of the world wide energy grid system aligning all Earth™s pyramids and monuments across the entire globe. The entire Giza complex is the original Mound of Creation, the home of the Seven Sages, the Primeval One's, the Builder gods, the sacred mound that was established in Zep Tepi or the First Time. Here beneath the Giza Plateau lies the Halls of Amenti, the Hall of Records, a secret location in which the entire history and technological knowledge of the pre flood (Atlantian) civilization was hidden for future generations. The Halls of Amenti or Hall of Records are a cosmic body of wisdom containing the ultimate mysteries of time, space, alchemy and the multi dimensions, a Stargate, a cosmic energy vortex. The initiate system, the sacred science of alchemy in Egypt, was based on one point, that the individual should learn factually and beyond question through personal experience that death is an illusion and consciousness or spirit having been released from matter is free to experience the omni dimensional creation.
The masters of the mystery schools had developed a science, through initiation and transmutation, by which they could communicate the fact, and circumstance of death directly to another person. In other words, the initiates of the Mystery Schools, were persons who had lived, died, and been born again in this world. Here at the centre of the earth we will lie in the sarcophagus of the Kings Chamber in the Great Pyramid, where, through toning the primeval creative seed sound of Aum/Om we will activate our light bodies and open our third eye, entering a gateway to higher consciousness. A life changing experience, it is here that we will balance all polarities, standing between the macrocosm and the microcosm on this day of equal light and dark, the equinox. It is here in the Great Pyramid that we will preform the highest initiations of the Mystery Schools.
|Posted by email@example.com on June 17, 2017 at 1:10 PM|
The Valley of the Kings is the burial place for many of the New Kingdom Pharaohs. These tombs which are cut into the rock of the valley, are symbolic representations of the tomb and the womb. The long cut tunnels of the tombs represent the tunnel through which we pass at death, at the same time they equally representing the birth canal through which we are birthed into a new life. Death on one level is birth on another.
Tomb of Tutmose lll Valley of the Kings.
The complete scences from the Book of Coming Forth by Light are painted in this tomb.
The process of mummification which took place over a period of 70 days, was related to the length of time that the star constellation of Orion was out of view below the horizon line, the constellation disappeared for 70 days only to reappear again, reborn. The process of mummification, of keeping the physical body intact, was so as that the Ba (soul or divine spark) of the Pharaoh was not obliged to reincarnate.
Tomb of Tausert and Setnakht Valley of the Kings
If the physical body remained intact then the soul or ba could continue its work in the afterlife without having to go through the process of reincarnation. Images from the literary composition of the Egyptian Book of the Dead or the Book of Coming Forth by Day ( taken from the pyramid texts), are displayed on many of the tomb walls of the valley. The Book of Coming Forth by Day describes the step by step process that the soul has to go through after death and is concerned with the transformation of the soul in the afterlife or the Duat.
Tomb of Tausert and Setnakht Valley of the Kings
|Posted by firstname.lastname@example.org on June 5, 2017 at 7:45 PM|
Schwaller de Lubicz, the French mathematician and orientalist, moved to Egypt in 1935 with his wife Isha and her daughter Lucy Lamy. They measured and mapped the Temple at Luxor in order to yield information as regards to Sacred Geometry and proportion, which describes the link between the cosmic realms and terrestrial nature including alchemy, physics, mathematics, geometry, art and astronomy. Schwaller describes the Ancient Egyptians Pharaonic concept of Man as the center of the Universe in physical expression as Anthropocosmos Man". The ancient Egyptians saw the Cosmos as an "act of divine conscious creation" and the seed of that divine consciousness was present in every human being, waiting to be watered and nourished and returned to its divine state through the process of spiritual alchemy, the transmutation of mortal man into his divine and enlightened state. To the Anthropocosmos Man, the Universe is a projection of human consciousness and consciousness is volume. The architecture in the Temple of Luxor expresses volume in form. The spirit, having descended into matter using its Golden Blueprint of creation at Karnak temple, now begins the process of growth from child to adult at Luxor temple, here we see the fully formed physically perfected, fully conscious Man. The Temple of Luxor describes the structure of the human body, incorporating its energy centers, the Chakras. The temple describes the process of creation and growth of the human form. The body was seen as the temple of the divine spirit, and Luxor temple is a perfect example of how the temple was built to be a symbolic representation of the physical body. The plans for this temple are based on human proportions and contains the secrets of spiritual anatomy. The proportions of the human body can be found embodied in the geometry of the temple's architecture. Luxor temple is, among other things, a symbolic representation of the perfect man. "In order for the indefinite volume of a sphere to become form, at least three directions must be defined, the polar axis and the four directions of the equatorial cross. This is the reason for the whole of the celestial mechanics, ordered by numbers that form a marvelous system and for which they are key."
Schwaller de Lubicz The Temple of Man
Schwaller de Lubicz moved to Egypt in 1935 with his wife Isha and her daughter Lucy Lamy. Together, they measured and mapped the Temple at Luxor, including floors, ceilings, walls, columns, and everything else that might yield information as regards Sacred Geometry and proportion. For the next fifteen years they would study the ancient Temples of Egypt, mostly The Luxor Temple, and document their findings for the world to study. The French speaking family would produce their first works in Paris, then little by little their works were translated into English and other world languages. The famed Temple of Man would not be released in English until the winter of 1998, nearly fifty years after it was completed in French. The story here pales in comparison the the study presented by Schwaller and his family, but hopefully we can share enough information to introduce you to the ingenious work of this brilliant individual, his wife and her daughter. To his friends and students he was affectionately know as "Aor" and so we will call him Aor.
"Man denies the magic of harmony…therefore, loving what he habitually knows. .... As this habituation perpetuates itself, suffering ensues..... Vital suffering is consciousness undergoing the process of surpassing itself. This is the Magic of Harmony."
"Esoterically, that is, from the outside, and therefore objectively, we see the world from the wrong side. We see the spherical bodies turning, and their centrifugal forces seems to us to be active, acting against the centripetal force that apparently plays a passive role. Seen Vitally from the inside, exactly the opposite is true." "Nourishing space flows toward the center, not like a fluid towards a solid, but like the spiral currents of an immaterial sphere that appears to be solid at a certain degree of density defined by the central coagulating activity." "These falling spirals occur according to the Golden Number; they can easily be constructed on a 1:Ø rectangle, as can the spirals of a snails shell. The Golden Number is Phi which is represented by the symbol Ø, and .618 numerically. One, relative to Ø would produce 1.618" Aor
Figure synthesis of the mystical function Phi.
a.) Following construction of a quarter arc, any diameter of a circle, equal to 1, when rotated around one of its ends will have its opposite end at a distance of 1/Ø from its original circumference.
b.) The double square results from this function, whereas the usual demonstration of Øby a double square is but one geometrical resolution of the arithmetical proposition Square root of 5+1/2 From this function, which is the result of a cycle, innumerable forms emerge. The wedjat eye and the subdivision of the hekat. The hekat, considered as a unit of capacity for the measure of grains (thus of a lunar capacity), is subdivided into sixty-four parts. The Symbols used to express these subdivisions are derived from the ancient myth according to which the eye of Horus was fragmented by Seth. Later Thoth (Hermes, Mercury), symbolized by the ibis, miraculously "filled" or "completed" the eye, bringing together its parts so that the eye reacquired its title "the whole eye" or "the healthy eye". Of the two eyes, it is then the lunar one that is identified with the measure of volume. The hekat is subdivided into 1/2, 1/4, 1/8, 1/16, 1/32, and 1/64. The fractions added together make 63/64 with 1/64 missing. At right is a hieroglyph from the Luxor Temple showing part of the hekat. The Temple of Luxor was planned from the very beginning to be bent in this odd shaped curve, derived from Phi, Phi² , and Phi³. [Remember that Phi = .618]
The idea of following the sun in its precession is an understatement compared to the amount of information contained in the proportions of this great Temple, but let's not loose sight of this fact. Aor teaches us that the human cannon is 19 "palms" in height, up to the point of the pineal gland. The palm is the width across the hand. There must have been a great reason for Schwaller de Lubicz to leave the cushy trimmings of a Geneva research facility, provided to he and his followers. In 1935 he went to Luxor and immediately learned something, although we have little but conjecture about what that something might have been. He went back to Geneva and packed his bags and returned to Luxor to spend the better part of the next fifteen years.
While at Luxor he wrote many books on the subject of the proportions of the Temple, and their relationship to alchemical processes. Unfortunately it would be another fifty years before his most important work, The Temple of Man would be translated into English. The Spiritual representations of the hieroglyphs at Luxor abound. Here we see the personification of the Ankh, right bottom, with arms holding a staff. To the left we see the Uas scepter, personified as human and holding another staff. Above the Uas we see the personification of Ka with raised hands depicting Spirit. The Ankh above seems to have been added as an afterthought, perhaps by the Coptics who inhabited the Temple in the Ptolemaic era. Most of the fluted columns are filled with hieroglyphs and cartouches of the men who built the Temple. To the right of center, there is a hieroglyph of Hese, the ancient scribe noted by the ink well. www.sangraal.com
|Posted by email@example.com on June 5, 2017 at 7:40 PM|
Khnum the ram headed god who fashioned mankind on his potter’s wheel. His role as divine potter sees him creating and inscribing the creative pattern of the Ka. Khnum performs a role in physical life by apportioning the instincts to the body, these instincts act as guides for consciousness to know itself and remember its divine origins. Khnum creates the divine blueprint, the replication of DNA that carries the information for all life. Khnum was a water deity and was associated with the annual flooding of the Nile, the waters of life. His name means to create or to join together.
Esna temple is also associated with the goddess Neith, she is portrayed as a woman carrying crossed arrows or wearing a weaving shuttle on her head. Neith is considered as one of the great self created goddesses. The act of weaving is symbolic for the divine processes of the male and female principal, active and passive, forever at work in creation. Neith is associated with Thoth (divine intellect) and her symbolic act of weaving are examples of the processes of crossing or weaving the net of the nervous and other systems of the body to facilitate intelligence and perception. Neith has also been associated with modern string theory.
|Posted by firstname.lastname@example.org on June 5, 2017 at 7:30 PM|
The great temple of Horus, the solar deity, whose mythical parents were the stars Sirius (Isis) and Orion (Osiris). It is at Edfu that the battle between Horus and Set is said to have taken place. A battle that was symbolic of the struggle between light and dark, male and female, the process of reconciling the opposites within the human consciousness. The tradition of ancient Egypt states that "no site was sacred unless it had been built upon the foundations of an earlier sacred site"
The inner and outer enclosure walls date from the old kingdom and archaeology shows that the site was continuously maintained and developed as a sacred site for over 2000 years. The Edfu building texts, are a vast library of written information in the form of Hieroglyphs (sacred script) carved on the walls of the temple itself. The texts clearly tell us that the temple is a copy of a vastly older and original temple. The time frame for this original temple dates back to a forgotten time, thousands of years before the first Pharaohs of Egypt. The text speak of the time known as the First Time or Zep Tepi, an age in the very distant past where a group of divine beings known as the "Seven Sages, Builder Gods or Companions of Horus" established the first sacred mounds along the Nile.
These mounds were to be the foundations of all the temples to be built in Egypt in the future. The Edfu texts state very clearly that it was intended that the development of these sites along the Nile were to bring about the "resurrection of the former world of the gods". We are told that this former world of the gods had been utterly destroyed by a flood. This former world had been the home of the primeval ones, it was an "island that was, in part, covered with reeds and stood in darkness in the midst of the primeval waters". We are told that the creation of the world began on this island and it was here that the earliest mansions of the gods were first created.
|Posted by email@example.com on June 5, 2017 at 7:25 PM|
Each sacred site served many functions and one of those various functions being as astronomical observatories. It was Sir Norman Lockyer, through his research, as he measured the orientation of the temples of Egypt, realized that they had an astronomical basis, and so the modern science of Archaeoastronomy was born. The goddess Hathor, in her aspect of Isis, personified the star Sirius, and the temple of Hathor at Dendera, which was built on the ruins of a much older temple, was used to track this star. Like the temple at Edfu, to which the temple of Dendera is linked, there are inscriptions which indicate that Dendera temple was built according to an ancient plan. An inscription in one of the crypts states that the temple had been built according to a plan written in ancient writing upon a goatskin scroll from the time of the Companions of Horus (the sages, the builder gods, the primeval ones). Egyptian chronological tables have been found which date the founding of Egypt to a much earlier time than the first Dynasties. All the writers of antiquity who had any contact with Egypt wrote of this very ancient date for the Egyptian civilization. The ancient sources talk about a long period of time when Egypt was ruled by the Neters, and another equally long period during which it was ruled by the Shemsu Hor (the Companions or Followers of Horus) The earliest of these accounts place the founding of Egypt at 30,000 B.C. Herodotus is quoted as saying that the sun had twice risen where it now set and twice set where it now rises. This account by Herodotus was interpreted by Schwaller de Lubicz as a description of the passage of one and a half processional cycles. This would place the founding of Egypt at 36,000 B.C.
The name Hathor means House of Horus and she was associated, among many things, with sound healing through music. One of Dendera's most important roles was as a healing centre. Dendera was a sacred place of pilgrimage where all manner of miraculous cures were said to have taken place as performed by the goddess Hathor. Also at Dendera is the only circular zodiac to be found in Egypt. In one of the many crypts of Dendera there is also to be found something that is said to look like a cathode ray tube or crookes tube. These bulb like objects are reminiscent of over sized light bulbs. Inside these â€œbulbsâ€ there are snakes in wavy lines, the snakes pointed tail stems forth from a lotus flower. Something similar to a wire leads off a small box on which the air god is kneeling. Adjacent to it is the two armed Djed pillar which is connected to the snake. The snake is symbolic of kundalini energy, the double helix of the DNA and also of higher wisdom. The ancient Egyptians had advanced scientific knowledge and technology evidence of this can be found throughout the ancient civilization. Their teachings of science and technology was centred on the workings of electromagnetic energies, the Net. These ancient scientists were the Masters of the Net.
|Posted by firstname.lastname@example.org on June 5, 2017 at 7:15 PM|
The name Mystery School is a term which displays a hidden meaning. This is not unusual as all the teachings of the Mystery Schools were built up of layer upon layer of symbolism and occult (the term occult meaning Hidden) secrets. The Mystery Schools are a timeless, ageless, omni dimensional philosophical teaching, a scientific study of the Mind. The Hermetic Axiom “The All is in All and All is in The All” or “God is in All and All is in God” describes the basis of the Mystery School teachings that the Universe is Mental in nature, all is Mind and all is created through the Power of Thought (Thoth). The teachings were handed down throughout the ages and civilizations through oral tradition from Master to Initiate very little of the teachings were ever written down. The information was left encoded in symbolic representations, Sacred Geometric design of Temples, Pyramids and Sacred Sites, myth and mythology, this knowledge reflected in the building of the Ancient and Sacred Sites made them perfect places for learning, initiation and astronomical observation. The teachings of the Mystery Schools are a scientific study into the Laws and Principals of the Universal Mind. The Universal Mind is also known as God or Spirit, and we, as human beings, are a holographic image of that Universal Mind, the microcosm and the macrocosm, “As Above, So Below, As Below, So Above” As the seed is the tree enfolded, so is the universe God/Spirit unfolded. The Mystery Schools teach of the Transmutation of the consciousness of mortal man to his natural enlightened immortal self. The Mystery School teachings are a navigational tool for all souls throughout all space and time to find their way Home. The ancient Alchemists who were also students of the Mystery Schools, studied this Transmutation of one form to another and displayed this principal through their experiments of turning lead into gold. That was only an outward display, another form of symbolic representation, the true meaning behind the experiments of the Alchemists was the Transmutation of Consciousness from unenlightened to enlightened Man (Ascension). Much of the ancient information of the Mystery Schools are now being confirmed by recent scientific finding, especially in the field of Quantum Physics.
The Pantheon of Gods, which included Thoth, Isis, Osiris, Ptah, Ra, Su, Geb, Set were said to have come to Egypt in Zep Tepi or The First Time. Thoth was known as the God of Wisdom, Magic, Alchemy and The Arts in Ancient Egypt and was also known as Hermes Trismegistus “Hermes the Thrice Great” The Winged Messenger of the Gods, in Ancient Greece. It is said of Thoth that he brought humanity into manifestation through “Language and Maths” The time before Zep Tepi is known in mythology as Atlantis and before that Lemuria, the time before the Great Flood. This is where the Gods of Egypt are said to have come from. Creationist stories encoded in myth and mythology from all over the Ancient World speak of the Great Flood and the Gods that arrived after to teach the Wisdom of the Ages to humanity. Its is said that these Gods move from reality to reality creating the programs for souls to experience. The term Zep, Zipper refers of a closing and opening, gateway, holes in time and space, a zero point, the ending of one and beginning of another, a Golden Age It is said that the Gods moved through this Zero Point, Zep Tepi where matter and anti-matter merge, and there they create New Realities In our measurement of time Zep Tepi refers to a time about 13,000 years ago approx. 10,500B.C The Ancient Scientists/Priests of the Mystery Schools were measuring an astronomical cycle know to us today as the Precession of the Equinoxes or The Great Year. The term Zep Tepi and the time frame of 13,000 years measures half a processional cycle, a full cycle being 26,000 years approx. The Ancient Scientist/Astrologer/Priests of the Mystery Schools measured the rise and fall of the Consciousness of humanity against the backdrop of this processional cycle. The Giza Plateau with its Sphinx and Pyramids serves as a huge astronomical observatory to measure the 26,000 year long processional cycle. All the ancient stone structures were used as astronomical observatories and symbolic representations of the raising of consciousness up through the creative spiral of soul evolution. The Ancient Mystery School Priests considered the Nile to be a terrestrial representation of the celestial Milky Way, they also compared the Nile to the Spine or Backbone of the Human body. Having full knowledge of the Chakra system of the body, they built their temples along the Nile, stretching from Aswan to Saqqara as representations of the Chakras of the body running up along the Spine from base to crown. The Mystery School Initiates raised their consciousness from their base Chakra, studying and being initiated in the corresponding temples along the Nile. The Chakras are gateways that open up our energy flow with The Cosmos and our Body of Light. Each Chakra has energies that relate to our growth, these energies can be expressed either negatively or positively, shut down from trauma or open due to peace and tranquillity. The journey of the Mystery School Initiate is the journey of moving beyond the illusion of density and becoming the Whole. As the Initiate moves through and activates the Chakras, the Chakra spins and becomes a radiant ball of light which allows the Kundalini to flow through us fully, so we are fully in our life energy, unlimited, our Body of Light and being the Creators that we are. In this way, the Initiate raised their Consciousness through the various Chakras and Kundalini energy flowed and connected base to crown, from unenlightened to enlightened, from mortal to immortal. The Mystery Schools are a body of teaching revealing the Secrets of the Universe and the Self and when properly understood leads us to ever increasing Freedom and Joy, expansion of Awareness and the knowledge of our Immortal, Omni dimensional, Eternal Cosmic Self. The Ancient Pyramid and Temple builders erected their structures across not only Egypt but the whole Planet, these Ancient Structures can be seen to reflect Star Constellations on the ground. The three Pyramids at Giza reflect the three stars in Orion's Belt and the Orion Stars orientation to the Milky Way was as to the three Pyramids orientation to the Nile but only having a perfect match in the time frame dating 13,000 years ago approx. 10,500 B.C or Zep Tepi. There exists an ancient body of writing found in the Egyptian city of Alexandria in the early Christian era in which it talks about the Sky/Ground connection linked in numerous ways to the issue of the resurrection and immortality of the soul (see Graham Hancock & Robert Bauval-The Message of the Sphinx) These writings the “Hermetic Texts” were believed to have been the work of the ancient Egyptian wisdom God know as Thoth, who in one passage makes the following remarks to his disciple Asclepius “Do you not know, Asclepius, that Egypt is an image of Heaven? In Egypt all the operations of the powers which rule and work in Heaven have been transferred down to Earth below?” In the Hermetic view, the purpose of harnessing these Powers was to facilitate the Initiates quest for Immortality. We are now moving into a new Zep Tepi, Gateway, a new Golden Age. It is said that the Teachings and Wisdom of the Ancient Gods would be returned to, and remembered by, humanity now. This is the time of an awakening Consciousness, a window of opportunity for all souls to Ascend to a new sate of Being, Enlightened, Eternal, Omni dimensional, Cosmic Man. A time to manifest and realize our Heaven on Earth All souls are called for Initiation and all souls Know when they are being called! But what about the Gods? Who were the Gods of Zep Tepi, those Creators of Realities?
|Posted by email@example.com on June 5, 2017 at 7:10 PM|
For the Ancient Egyptians, Abydos was one of the holiest sites in the world. It was the center of the god Osiris and was known as the Gateway to the underworld. Osiris, lord of the cycles of creation, symbolizing the divine spark in man and the physical creation. This aspect of Osiris describes the process of birth, re-birth, renewal and return, a return to the divine. Abydos is still a place of pilgrimage for Spiritual travellers and is said to be the burial place of the head of Osiris. It is here at Abydos that Osiris is brought back to life after having being killed and cut into 14 pieces by his brother Set. It is here that Osiris becomes the judge of the dead and the lord of the underworld. It was at Abydos that the Djed pillar was raised for the first time. The festival of the raising of the Djed dates back to more than 5000 years. It is the Egyptian Book of the Dead or the Book of Coming Forth by Day that identifies the Djed pillar as the backbone of Osiris and the support and backbone of the Universe. The Djed pillar was the cosmic axis of light linking heaven and earth, the microscopic representation of which was the backbone of the human body through which the light of the kundalini energy rises. In the Edfu texts it is said that the Djed pillar served its greatest purpose and revealed its greatest mysteries at the end of one world age and the beginning of another, this is such a time! Dorothy Eady (Omm Sety) who believed herself to be a reincarnation of a temple priestess at Abydos, tells the story of her relationship with the illuminated King Sety. Beginning in the early 1900s and lasting until her death in 1981 Dorothy Eady and Seti carried on the romance begun in 1500 B.C. He would appear to Dorothy at night, then, he would disappear all of a sudden, crossing into the parallel reality the ancient Egyptians called Amenti, the realm of Osiris. The Temple of Seti , built around 1300 BC by Seti and his son Ramses II bears a cartouche in the Outer Hypostyle Hall that has become famous for including the "Abydos helicopter." The ancient engraving shows a helicopter and other futuristic devices.